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Gallery News
Past
Marina Leybishkis: 108 Kilometers in Exile
Past
Women Call for Peace: Global Vistas
Past
War Zone Home
Past
Recontextualizing the Found
Past
The Brownsville Boys: Jewish Gangsters of Murder, Inc.
Past
Bearing Witness: Art and Resistance in Cold War Latin America
Past
En Foco:New Works #17
Past
Assenting Voices: Agitprop Art from North Korea
Past
Of Human Bondage
Past
History! Hauntings and Palimpsests
Past
The Writing on the Wall
Past
The One Who Became the Color on a Flag
Past
Omen
Past
Pinned, Stitched, and Glitzed: Challenging Gender Stereotypes
Past
Tang Desheng: Educated Youth
Past
Cautionary Tales: Old Visions Through New Eyes
Past
The Missing: Rebuilding the Past
Past
Symposium: “The Future of the Past: Digitizing Cultural Property in an Era of Destruction”
Past
Expressing The Social Conscience Art Prints and Human Rights
Past
Cyriaco Lopes: Crimes Against Love.
Past
Truth of the Matter
Past
JILL FREEDMAN: STREET COPS
Past
“But enough about me—now let’s talk about my work”: Artoons by Pablo Helguera
Past
Carol Jacobsen: Mistrial
Past
The Right to Silence: Asia
Past
WEAVING JUSTICE
Past
Blood and Tears: Portrayals of Gwangju’s Democratic Struggle
Past
Artful Partners
Past
Dissident Practices
Past
Pandemic Architectures
Past
Animating the New Hero
Past
Tip Off
Archive, Past
What it is about you that closes and opens
Current Exhibitions, Past
I Have No Enemies and No Hatred: Contemporary Chinese Dissident Art
Past
Transplants: Greek Diaspora Artists
Past
CITIZEN
Past
Foodie Fever
Past
Baneful Medicine
Past
Against Again: Art Under Attack in Brazil
Past
Bravery and Sacrifice: NYPD Heroes 9/11 and Beyond
Past
Panel Discussion: Art and Immigration Policy
Past
Violated Bodies: New Languages for Justice and Humanity
Past
Apocalypse: Then and Now
Past
The Right to Silence?
Past
POLYCENTRIC, DIALOGICAL AND RELATIONAL
Past
Internalized Borders
Past
Green Habitat
Past
ROGUES GALLERY: Forty Year Retrospective of Courtroom Art from Son of Sam to El Chapo
Past
Ode to the Sea: Art from Guantánamo Bay
Past
THE UN-HEROIC ACT: Representations of Rape in Contemporary Women’s Art in the U.S.
Past
Weapon of Choice
Past
Xanadu: Land of Enchantment
Past
Politicizing Space
Past
Panel Discussion :Why Do Artists and Critics Turn to Crime?
Past
“Murder, She Said”
Past
ENDANGERED!
Past
Symposium: Collateral Damage: Wartime Atrocity and Trauma
Past
Collateral Damage
Past
Woman: Mother, Daughter, Wife, Friend…
Past
Stratifications
Past
3rd Atlantic Obeah
Past
Symposium: Art and Violence in Latin America Today
Past
Bongjung Kim: Cyber – Addiction
Past
Basta!
Past
Speaking Volumes: Transforming Hate
Past
Exhibitions & Events
Current
Upcoming
Past
Press and Reviews
Video Archive
Artists & Curators
Artist Bios
Curator Bios
Policies for Exhibiting
About Us
Anya and Andrew Shiva Gallery
President’s Gallery
Memorial Hall (911 Memorial)
Gerald W. Lynch Theater Lobby Exhibition
Percent for Art Installations
Education Resources
Current
Past
General Education Kit
Gallery News
Resources
Contact
