On view: May 1, 2019 – June 21, 2019
Opening Reception: May 1, 2019, 5:30 – 8:00 PM
Curated by Andrew Weinstein
At Auschwitz, the Nazi death camp, it was a doctor, Josef Mengele, who decided who would live and die. On the camp receiving ramp, Mengele’s daily “selection” placed Darwin’s idea of “natural selection” in human hands; eugenics, a field pioneered by Darwin’s cousin, Francis Galton, inspired the Nazi dream of engineering a master race. What we now call the Holocaust was, in a sense, a medical “operation.”
How could doctors betray the Hippocratic Oath they had pledged, to “do no harm” — not only in Nazi Germany but also in places like Tuskegee, Alabama? There, starting in 1932, a year before the Nazis came to power, American doctors enticed impoverished African American men to participate in a decades-long study in exchange for free healthcare, even as they withheld treatment for those who had syphilis and didn’t know it because the researchers wanted to chronicle the natural history of the disease. This followed a long history of medical abuses against African Americans, such as gynecological studies on enslaved women by J. Marion Sims.
In 1947, American jurists held Nazi doctors to account at the Nuremberg Doctors Trial and established modern bioethics with the mandate of “informed consent” for human research subjects; nevertheless, the Tuskegee syphilis study continued for decades after, alongside other examples of criminal medicine in the US and abroad, in which government and corporate researchers regarded the bodies of people of color, the poor, prisoners and military personnel as tissue for research.
As bioengineering moves toward a posthuman future, corporations patent genes, and governments use genetic markers for surveillance, how much more conscientious are the methods and mindset of medical science than they used to be? How can individuals and communities respond? Artists have a unique role in addressing such questions from a layperson’s perspective with powerful imagery that can bring urgent ethical questions to broad public attention.
“Baneful Medicine” features artists engaged with the betrayal of the Hippocratic Oath (Christine Borland, Arie A. Galles), eugenics and medical crimes against African Americans (Todd Ayoung, Abigail DeVille, Oasa DuVerney), Nazi medical atrocity (Susan Erony, Aharon Gluska, Vitaly Komar and Anna Halberstadt), post-war and present-day violations against human research subjects around the world (Ruth Liberman), scientific objectification of laboratory animals (Verena Kaminiarz), bio-surveillance (Heather Dewey-Hagborg, Aurelia Moser, Allison Burtch, and Adam Harvey), corporate copyright of human genetic material (Larry Miller), bioengineering (Aziz + Cucher, Eduardo Kac), and alternatives to establishment medicine (John SH Lee, Simone Leigh).
The exhibition opens to the public on May 1, 2019, and will be on view until June 21, 2019. The opening reception will be held on May 1, 2019, from 5:30 to 8:00 PM.
For inquiries related to the exhibit please contact Andrew Weinstein: firstname.lastname@example.org
On view September 8, 2017 -June 28, 2018
On September 11, 2001, a series of four coordinated terrorist attacks were carried out by the Islamic terrorist group Al-Queda, with New York City feeling the brunt of this horrific tragedy. The events of 9/11 represent the largest attack and subsequent rescue and recovery operation ever on U.S. soil. In just a few short hours, both of the monstrous, 110 story-tall World Trade Center Towers, were devastated by two separate hijacked commercial airliners that were flown into them. The entire world watched in awe as nearly 3,000 people lost their lives as the buildings crumbled. Read More »