A pioneer of video art in the 1970s, Sonia Andrade’s career spans mail art, drawing, photography and installation. Her work exists outside the rules of the market and the prevailing system of Brazilian art from that period. Her experimental videos place the body at the center of the action, constructed in direct relation to television as a medium. Without spectacularization, her body engages in confrontation with the screen and the television set, at times placed at the center of the image, at others presented inside of a cage – a metaphor for the broadcast image as imprisonment. Andrade is represented by Galeria Athena, Brazil.