Curator Monika Fabijanska talks about her exhibition The Un-Heroic Act, and arts journalist Barbara Pollack chats about her new book on an emerging generation of Chinese contemporary artists. Hrag VartanianJuly 27, 2018 In this episode, I talk to curator Monika Fabijanska about her important fall exhibition The Un-Heroic Act: Representations of Rape in Contemporary Women’s Art in the Read More »
On view: September 4 – November 3, 2018
(We are also open on October 20th, 27th and November 3rd from 12 – 6 PM.)
Opening Reception: September 12, 5:30-8:30 PM
Symposium: October 3, 5-9 PM in the Moot Court, John Jay College of Criminal Justice
The symposium was streamed live and you can view it here
Exhibition Tour and Artist Talk: October 24, 6-8 PM at the main gallery
A gallery tour with curator Monika Fabijanska followed by a discussion with artists Roya Amigh, Angela Fraleigh, and Lynn Hershman Leeson on what means artists employ to tell personal stories. Lynn Hershman Leeson’s Electronic Diary Part III: First Person Plural (1988, color, sound, 28 min), will be screened as part of the event.
SYMPOSIUM: May 2, 2018, from 4:00-5:30 pm in Room L2.84, New Building
On Display from May 2nd, 2018, through June 28th, 2018
The Anya and Andrew Shiva Gallery at John Jay College of Criminal Justice of the City University of New York, proudly presents Transplants: Greek Diaspora Artists. This exhibition will be accompanied by a symposium moderated by the show’s curator Dr. Thalia Vrachopoulos, at 4 PM the same day, in Room L2.84, New Building with guest speakers Professor Nicholas Alexiou of Queens College, Dr. George Andreopoulos a Professor of Political Science at John Jay College of Criminal Justice and at the Graduate Center, Peter Gerakaris, and art critic Jonathan Goodman.
Time: April 11, 2018; 6:30-8:30 PM
Location:Anya and Andrew Shiva Gallery
Description: This panel will draw upon the themes raised by “Internalized Borders,” an exhibition that examines the ways that language and legal systems create internal and external borders. Visual Culture and language have a profound effect on how we as a country vote in political elections and also affect the national point of view. Historically, the cultural production of such images and language defined how people were seen by their governing institutions and by society in general. Some of the language created to define them has stayed permanently in the system or been challenged by society. What is the responsibility of lawmakers, historians, and cultural producers, in how we define people currently and in the future?