Link: https://www.cbsnews.com/news/art-from-behind-the-walls-of-guantanamo/ CBS NEWS //January 21, 2018, 9:29 AM On Display in New York: art from “Beyond The Walls” of a prison — which in the eyes of critics, makes it art that’s beyond the pale. Tony Dokoupil takes a look at the art … and the controversy: If you didn’t know better, “Ode to the

Link: https://www.newyorker.com/culture/cultural-comment/the-disarming-paintings-made-by-guantanamo-detainees By Alexandra SchwartzDecember 13, 2017 “Untitled (Oasis).”Art work by Muhammad Ansi Djamel Ameziane arrived at the detention center at Guantánamo Bay shortly after it opened, in early 2002. A citizen of Algeria, he had left his country during its civil war in the early nineties and sought refuge first in Vienna, where he worked

Link: https://www.nytimes.com/2017/12/03/opinion/art-freed-guantanamo.html?_r=0 By THE EDITORIAL BOARDDEC. 3, 2017 A painting by Muhammad Ahmad Abdallah al Ansi, a former prisoner at Guantánamo Bay, is part of an exhibit in New York of artwork by men who have been held at the prison. Credit Joshua Bright for The New York Times The American prison at Guantánamo Bay, Cuba

New York: “Politicizing Space” – Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice by Jonathan Goodman Monolith, 2017.”Politicizing Space,” curated by Charlotta Kotik, took as its premise the fact that space can be made political by manmade interventions and used to control human movement and behavior. Kotik emphasized the need to understand

Link: http://installationmag.com/politicizing-space/

 

Anya and Andrew Shiva Gallery present the works of Allan McCollum, Andrew Ross, Carin Riley, David Goodman, Felipe Cortez, Frauke Schlitz, Kara Rooney, Lan Tuazon, Lauren Clay, Paul Anthony Smith and Willaim Corwin in the group exhibition “Politicizing Space” in their primary fine art gallery at John Jay College of Criminal Justice. On view from February 2, 2017 – March 31, 2017, the group exhibition curated by Charlotta Kotik examines the dichotomy of power between the art object and viewer.

Murder She Said

Friday, 10 February 2017 by

Murder She Said – Curated by Thalia Vrachopoulos and Richard VineAnya & Andrew Shiva Gallery at John Jay College of Criminal JusticeNovember 15, 2016 – January 13, 2017 Am I looking at an image of a dress on the ground covered with leaves? Is it from a lover’s tryst, or is something more sinister going

Αρχική OΜΟΓEΝΕΙΑ Εντονη ελληνική παρουσία σε έκθεση στην President’s Gallery στο Jay College Εντονη ελληνική παρουσία σε έκθεση στην President’s Gallery στο Jay College Από Του Φώτη Καλιαμπάκου – 4 Οκτώβριος, 2016 0 190 Η επιμελήτρια της έκθεσης, διακεκριμένη καθηγήτρια Ιστορίας της Τέχνης κ. Θάλεια Βραχοπούλου. Φωτογραφία: Εθνικός Κήρυξ, Φώτης Καλιαμπάκος. ΝΕΑ ΥΟΡΚΗ. Η διακεκριμένη

Museum & Gallery Listings for Jan. 29-Feb. 4 New York Times / January 28, 2016 http://www.nytimes.com/2016/01/29/arts/design/museum-amp-gallery-listings-for-jan-29-feb-4.html ‘The Missing: Rebuilding the Past’ (closes next Friday) The Anya and Andrew Shiva Gallery at John Jay College of Criminal Justice is always worth keeping an eye on. Its current group show was inspired by the continuing destruction of antiquities

Art Book Depicting Murder Inc. Is No Steal Book on Jewish Gangsters of Murder Inc. to Cost $4,200 http://www.nytimes.com/2014/03/21/nyregion/the-brownsville-boys-jewish-gangsters-of-murder-inc-book-to-cost-4200.html?_r=0 The New York Times / March 20, 2014     Larry E. Sullivan of John Jay College with his $4,200 boxed book about Murder Inc.’s Jewish gangsters, “The Brownsville Boys.” CreditMichael Appleton for The New York Times 

Virtual Reality Gallery Exhibition Recreates What ISIS Destroyed By Vida Weisblum  http://observer.com/2016/01/virtual-reality-exhibit-recreates-what-isis-destroyed/ Observer Culture / January 12, 2016 A new virtual reality exhibit allows gallery-goers to “visit” a reconstructed 360-degree version of the Palace of Ashurnasirpal II at Nimrud — the 3,300-year old Assyrian site destroyed by ISIS fighters last March. Launched by the Antiques Coalition and Learning

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